#MAGICAL MYSTERY TOUR MOVIE SERIES#

John Lennon made several films with Yoko Ono, including Imagine (1972), in which the couple worked alongside avant-garde master Jonas Mekas and Hollywood icon Fred Astaire. Richard Lester, director of A Hard Day’s Night (1964) and Help! (1965), was heavily influenced by the French New Wave film movement, borrowing from a lexicon of handheld camera and self-conscious trickery miles from the era’s more conservative studio film-making. The 1964 doc What’s Happening! The Beatles in the USA was made by David and Albert Maysles, who popularised a more authentic, handheld style of American non-fiction film known as “Direct Cinema”. In the realm of documentary, the band have pushed film-makers to experiment. John Lennon in ‘A Hard Day’s Night’ (Photo: Michael Ochs Archives/Getty Images) Jackson’s approach is the antithesis of Lindsay-Hogg’s, but neither are alone in their fascination with this pop-culture phenomenon. Jackson’s opus is taken from more than 60 hours of footage filmed by Let it Be (1970) directed by Michael Lindsay-Hogg, though anyone who has seen Get Back can attest it is an entirely fresh look into the The Beatles’ contentious creative process and, crucially, their relationships. From their own experimental and cult productions to films that paid homage, there is an entire cottage industry of disparate films that would never have existed without them. There are the films they starred in, and the documentaries and concert films – but their influence extends further still.

It follows, then, that as well as on music, they have left a considerable mark on cinema. The Beatles are one of the most relentlessly documented and filmed bands in history. Of all the hours of footage of the band, this is one of the most defining: exquisite melancholy and guerrilla thrill.

#MAGICAL MYSTERY TOUR MOVIE SERIES#

In a special 60-minute cut from The Beatles: Get Back, Peter Jackson’s recent three-part series for Disney+, the gig we think we have already seen is refashioned on the big screen. The Fab Four, long hair tousled by the wind, performed brand new songs written in the previous weeks for what would be their last record, Let It Be. It’s been let out.This week, for the price of an Imax ticket, you can get a time machine back to a bitterly cold London on 30 January 1969 and the Beatles’ last-ever live performance together, on the rooftop of their Apple Corps building on 3 Savile Row. “It’s no longer the ‘mad uncle in the attic’ that nobody wants to talk about. “‘Magical Mystery Tour’ has always been the black sheep of the Beatles family, but I think it’s been rehabilitated into the Beatles canon,” Clyde said. It first aired on BBC television the day after Christmas 1967.Īlthough it was initially panned by British critics, time has delivered some justice to the project, Jonathan Clyde, the producer of the documentary, told Reuters. The third film for The Fab Four, after a “A Hard Day’s Night” in 1964 and “Help!” a year later, “Magical Mystery Tour” is a shambolic trip through the English countryside on a bus filled with odd characters, but thin on plot. A restored version was released on DVD and blu-ray in October. Long a curiosity in the United States, the film will be accompanied by a new documentary about its making. The Beatles perform 'Your Mother Should Know' in this publicity photo from the filming of 'Magical Mystery Tour' in this Septemphoto released to Reuters December 14, 2012.

Magical mystery tour movie